Pros and cons of caffeinne Essay Example | Topics and Well Written Essays - 500 words

Pros and cons of caffeinne - Essay Example Research has shown that caffeine improves memory and decreases fatigue while improving mental and athletic performance (Doheny, 2006). Caffeine increases athletic stamina by enhancing glycogen, the body’s energy storage system, and mobilizes fat cells which allow the body to burn fuel more efficiently thus promoting endurance. Caffeine diminishes perceived effort while exercising. This has the psychological effect of increasing the degree of effort during exercise which burns additional calories (Gruenemay, 2006). This chemical action also suppresses appetite which leads to weight loss. Morning coffee drinkers know that caffeine increases alertness. It does this by stimulating brain activity. Caffeine is an addictive drug causing a dependence which leads to withdraw symptoms when discontinued (Doheny, 2006). Though caffeine increases energy, the dehydration that accompanies makes exercise especially unhealthy. Caffeine, a natural diuretic, relieves constipation by encouraging the intestine to contract which causes diarrhea and cramping. When over-used, all stimulants including caffeine can cause  insomnia, irritability and ‘the shakes.’ The weight loss associated with stimulants is offset by cream added to coffee or tea. Caffeine has been shown to initiate heart palpitations and should be strictly avoided if the user is at risk of heart disease or if the user is taking any prescription drug (Gruenemay, 2006).   Moderate amounts of caffeine will not cause heart disease, cancer or birth defects according to evidence compiled by the American Dietetic Association. Moderation is the key to enjoying products that contain caffeine without suffering ill effects but the operative word is moderation (â€Å"The Pros and Cons of Caffeine†,

The term white Essay Example for Free

The term white Essay What is our reaction or impression when we read or hear the term white? Quite often, it is simply colour that instantly comes to our minds. Furthermore, many of us are unaware of the various interpretations involving the word. This is not surprising! Lets start with white clothing and its purposes, symbolic, or factual, commonly used in religions as well as in hospitals. The pope, an obvious Roman Catholic, wears white robes to portray his distinctive figure, being the highest authority at the Vatican. Similarly, some nuns wear white habits to reveal their puritanical appearance, and, not surprisingly, a bride of the same faith traditionally wears a white wedding dress to demonstrate her virginal aspect. Looking at a different religion, it is very interesting to learn about the custom in Islamic countries, where the dead are buried naked, wrapped in a white cloth. Their belief is that it symbolizes purity and is a necessary religious practice for the dead to get to heaven. When it comes to facts, we also understand the necessity of white garments used in private or public hospitals, and most clinics. Here, there are compulsory regulations where all medical staff must wear white uniforms, ranging from caps to overcoats and suits. It is the intention of the hospitals to help their patients and outsiders, distinguish the doctors, physicians, nurses and other medical assistants. We go on to fascinating white creations, being those of nature. For example, clouds, snow, sleet, ice, fog and mist are all naturally white as a result of atmospheric temperatures. Even the moon, stars and lightning flashes are white, however, at night! Moreover, another example is that of bones, such as humans, fish, amphibians, reptiles, birds and mammals, as well as the milk produced by humans and animals. Likewise, even the sap produced by some trees, is white. Other interpretations of white are present in grammatical expressions. It is also used to reveal a persons image, emotions or feelings. An example would be, He became white with shock. Very often, white used before a noun denotes the whiteness in colour, of that subject. However, it is also possible that words used immediately after the term can have nothing to do with the colour itself and can have completely different or contradictory meanings, such as: A white admiral, a kind of butterfly from Eurasia; A white ant, another name for a termite that is black in colour! As we approach the final subject, think about white and associate it with food. The result of our imagination could be rice, sugar, salt or flour. However, did we bear in mind at the same instant, that these foods were initially not white, but became so after a thorough process or refinement? In opposition to the previous question, it is amazing how some flesh foods not naturally white in raw state, turn white in appearance, as a result of cooking. Such classified foods are fish, chicken, turkey and duck. Consequently, what do we contemplate about white eggshells? We reason their naturally white colour but we definitely do not think of eating them! Nevertheless, the albumin, a part of its edible contents, also turns white in colour when cooked. An advantageous food compared to those previously mentioned is the cauliflower, a beneficial vegetable that remains white in colour and edible, both in raw and cooked state. After looking at all these examples, we now realize how vastly the term can be interpreted, whether used religiously, symbolically, factually, as a natural creation, in general vocabulary or food. Perhaps the next time we are asked a question about a colour, our immediate thoughts or assumptions will be somewhat different, than just the ordinary colour itself!

The Difference Between Truth And Belief

The Difference Between Truth And Belief The word truth can have a variety of meanings, from honesty and faith to a verified fact in particular.[1] The term has no single definition about which a majority of professional philosophers and scholars agree, and various theories of truth continue to be debated. There are differing claims on the roles that revealed and acquired knowledge play; and whether truth is subjective, objective, or absolute. Though truth is generally believed to be both subjective and objective, belief is assumed to be objective which means it differs from person to person. For example, I believe that the sky is blue entails that I think that this proposition is true. The ways by which we acquire knowledge, can be differentiated into four broad categories, sense perception, language, emotion and reasoning. The four ways of knowing help us to identify and differentiate between subjective and objective truths. It is generally assumed language gives us access to subjective truths while reason gives us access to objective truths. For example, the various mathematical proofs, theories and formulae that are in use today are in practice because of they have been proved by reason and are considered as objective mathematical truths. However, some theories and formulas are axiomatic truths. Axiomatic truths are self evident truths or basic facts which are accepted without any proof. On the contrary, perception and emotion are believed to result in subjective truths. From past experiences, I have generalized that objects left out in the rain get wet. Through reasoning I apply this understanding to tonights rainfall, and conclude that my own bicycle will get wet if it is left out in the backyard. Reason can help us to identify both subjective and objective truths. For example, reason can help to distinguish between objective mathematical truths and subjective artistic truths. Thus, from the above examples it can be seen that the various ways of knowing , alone can help to identify truths. But, the ways of knowing may also work together to give us the truth. For example, in science the way of knowing of reason and sense perception may work collaboratively to give us the objective truths. Some examples are objects falling on the ground with an acceleration of 9.8 m/s2. However, if reason helps us to identify and distinguish between objective mathematical truths such as the sum of the angles of a triangle is 180 and subjective artistic truths such as Beethovens 9th symphony is his best, it does not mean that reason is superior to the other ways of knowing because each of the ways of knowing has its own limitations and may not necessarily g ive us the absolute truth. The way of classical inductive reasoning can lead to false claims. Consider this example, I saw a duck and it was black. I saw a second duck and it was black. I saw a third duck and it was black. I saw an Nth duck and it was black. A general statement becomes the conclusion All ducks must be black. After tens of thousands of instances of black ducks in Africa, Asia and North America I go to the UK and see a white duck, right in the middle of a lake. One false instance is enough to topple over the general conclusion I had painstakingly reached. In the wake of the development in sciences and the extensive use of reason in daily life, a question is raised Is reason the most superior way of knowing?. Reason has give rise to many scientific explanations and theories such as the formulae of mathematics and the laws of physics. In the AOK of science, the various laws of gravity in physics have been defined after reason and research. For example, if I observe that the gravity is always same when I undertake an experiment, by inductive reasoning I will assume that this will always be the case if I measure gravity on any X place in the world. The general statement becomes the conclusion The acceleration due to gravity is 9.8 m/s2. But, if I were to conduct the same experiment at the North or the South pole I would find that the value of gravity is more than what I had found before, as the earth is elliptical and the poles are closer to the earths core. Also, the value of gravity would be quite different if I were to conduct the same experiment at the equatorial regions .Thus, as we can see, the reasoned assumption can sometimes lead to a paradigm shift i.e. true in specific environments so not a universal truth. Even if the experiment is conducted hundreds of times, there is always a possibility that an exception will be found and the theory would be falsified like in the case of the white duck. Thus, it is suggested that a hypothetical deductive method should be used, which is a continual interplay between deductive and inductive reasoning, mediated by testing done in the real world, whereby false hypotheses are discarded through trial and disproof. However, there is a possibility that somebody may stumble upon a case that falsifies the conclusion. The other knowledge issue raised is How far do our cultural beliefs distort our attempts to distinguish between subjective and objective theories?. For example, a recent case in India, where cultural beliefs are followed on a large extent, the idols of Lord Ganesha in temples all over the country were believed to be drinking milk from the offerings by visitors and followers. Thus, the subjective truth of all the followers was that the idol of Lord Ganesha was drinking milk. However, scientists conducted various experiments on the idols thereafter and came out with an objective explanation whereby the subjective truth of the followers was falsified. The rationalists and the scientists proved that the result was because of the surface tension and the absorption capabilities of the materials of which the idols were made .Thus, the cultural belief in India that the offerings by devotees are consumed by the god , gave rise to the subjective truth and distorted the objective truth. Also , another knowledge issue which is raised is How to do we get from our subjective beliefs to our objective truths ? . Darwins theory of evolution was based on his observations and is believed to be true especially by most of todays scientists. Darwins subjective belief in evolutionary theory was transformed into an objective truth. He proposed that all of the millions of species of organisms present today, including humans, evolved slowly over billions of years, from a common ancestor by way of natural selection  [1]  . However, certain counter-claims make us believe that the theory of evolution is false. According to the theory of natural selection birds could never evolve to fly  [2]  while this is certainly not the case. Though subjective beliefs can be and have been transformed into objective truths by repeated experimentation, it is possible that a single counter-claim could forge the conclusion and prove the theory to be wrong. The distinction between subjective and objective truths also raises the knowledge issue Is emotion an effective way of distinguishing between subjective and objective truths ? . For example, in Ethics we may use reason effectively to distinguish between the reasons why we should switch off a life-support machine on a family member and why we shouldnt, but reason may not take into account the emotional pressures we feel in the moment of flicking the switch, or emotion may even over-rule reason to some extent. The ongoing debate between subjective and objective truths also raises the knowledge issue Are there any absolutely certain objective truths independent of what we believe to be true? . This knowledge issue takes into account absolute truths. An absolute truth, sometimes called a universal truth, is an unalterable and permanent fact  [3]  . Many religions contain absolute truths. For example, a Christian might believe Lord Jesus to be his savior. To the Christian this may be an absolute truth. While many may agree that the Christian believes absolutely that Jesus is his Lord, they are unlikely to agree that Jesus is everyones Lord is an absolute truth. Centuries of missionary work is evidence of the human sense of infallibility in this area and is shown by the movie the mission in which a Spanish jesuist travels to the south American wilderness in the hope of converting the Indians into Christians . When a persons absolute truth is extended to all other people, it can be viewed as a philosophical statement of exclusion. Those who do not endorse the absolute truth of another are either pitied or attacked  [4]  and results in war and oppression. The method of the natural sciences involves perception as part of the collection of data to prove or disprove theories about the natural world for example , the development of the big bang theory by Edwin Hubble was based on his investigation of mysterious masses of stars called Nebulae. However, the problem is that a scientists observations may be limited by the instruments they use to make their observations. However, several of these theories are considered as absolute truths today inspite of what we believe. Again, Historians might provide primary sources to represent the absolute objective truth of the horrors of Stalins reign of terror, but the problem is this: how do we know that those sources havent been tampered with if Stalins regime was capable of doctoring evidence during his rule, isnt this even more rife in an age where everyone has access to Photoshop?

The Adventures Of Huck :: essays research papers

Freedom From Life "Man is free at the moment he wishes to be,"- Voltaire. This quote could no better sum up the quest for freedom in The Adventures of Huckleberry Finn by Mark Twain. "Freedom in this book specifically means freedom from society and imperatives. Huck and Jim seek freedom not from a burden of individual guilt and sin, but from social constraint" (425). Throughout the book, Twain illustrates that the quest of the two is one of the breakaway from civilization to acquired freedom. Huck, though a young child, valued freedom in his life more than any other object and depicted that fact to be one of the main themes in the novel. The conflict between society and the individual became a controlling theme in the novel as it developed. In the book, Huck mentioned that the Widow Douglass was on a mission to "sivilize me; but it was rough living in the house all the time…and so when I couldn't stand it no longer I lit out…and I was free and satisfied (Twain 11)." The restriction of living with Widow Douglass introduced the idea of Huck's quest for freedom. Widow Douglas wanted to "sivilize" him. In contrast, Huck wanted to be "free and satisfied." Freedom not only in the beginning of the novel in this point was evident, but the end reinstated Huck's desire for sovereignty. The novel ended with Huck planning "to light out" for a different territory because Aunt Sally wants to "sivilize" him. The thought of burden from individual guilt and sin did not connect with the story. Considering the concept of religion is attacked by Twain throughout the novel. Basically, a society which required its slaves to become practicing Christians is a contradiction of the tenants of Christianity. Another intent to leave, was the escape form religion. Huck saw miss Watson's view of "a pearly gate" concept of heaven as being essentially boring and mainly restrictive. In between these opening and closing remarks, Huck encounters varying aspects, attitudes, and restrictions of society and learns to prefer his own individual freedom. The idea of Huck's quest for freedom is easily correlated with Jim's search for freedom…from slavery. Jim set his quest for freedom also from the background of society. "Well, I b'lieve you, Huck I-I run off (Twain 50)." Jim confesses to Huck that he must gain freedom from the burden of his slavery.

The Bloody Chamber Notes

The Bloody Chamber Quotes – ‘like an extraordinarily precious slit throat’ – ‘bright as arterial blood’ – ‘faery solitude’ – ‘so many mirrors’ – ‘as if he were stripping the leaves off an artichoke’ – ‘instruments of mutilation’ – ‘the walls†¦gleamed as if they were sweating with fright’ – ‘an armful of the same lilies with which he had filled my bedroom’ – ‘the trumpets of the angels of death’ Characters – Heroine – ‘seventeen and knew nothing of the world’ – ‘the white-faced girl from Paris’ – ‘I was only a baby’ – Marquis – ‘dark leonine shape of his head’ – ‘opulent male scent’ – ‘dark mane’ – ‘waxen face’ Mother – ‘indomitable mother ’ – ‘wild thing’ AO2 – language, form and structure and how they shape meaning – Language – Juxtaposition – ‘lascivious tenderness’ – Metaphor – the Marquis as a beast, or as God – ‘the eye of God – his eye’ – ‘Subterranean privacy’ of the chamber – likening bloody chamber to Hell – Form – Castle is a Gothic reinterpretation of the fairytale template – Reworked fairy tales – Carter called them ‘new stories’ not ‘versions’ – Short stories maximise the impact of Carter’s messages – Novelette – the slow pace of which mirrors the brief lifestyle of the heroine in her new life Structure – Long descriptive paragraphs followed by very short sentences e. g. ‘Dead as his wives. ’ – isolated simile – Longer sentences with commas increase the sus pense, short sentences create a sense of fear – Ellipsis also used AO3 – connections between texts and different interpretations – Child like language – ‘Baby mustn’t play with grownups’ toys’ (see EK, COW) – Fairy tale motifs – ‘All the better to see you’ – links to fairy-tale form (see EK, LOTHOL) – References to the modern world – ‘shrilling of the telephone’ (see COML) – Aggressive male language – ‘pistons ceaselessly thrusting’ (see EK)Gothic Features – Weather/setting – Castle is isolated, heroine sees its ‘faery solitude’ – how she chooses to view it, away from reality – Walls of the chamber ‘sweating with fright’ – as if guilty themselves – Marquis calls bloody chamber his ‘enfer’ – French word for Hell, ‘subterranean privacy’, ‘ like the door of Hell’ – Carter contrasts light and dark – ‘Lights! More lights! ’ – Foreshadowing – ‘the necklace that prefigures your end’, ‘bright as arterial blood’, ‘like an extraordinarily precious slit throat’ – all foreshadow the heroine’s decapitation Heroine escapes her fate – makes her an even stronger character – Dominant males – Marquis likened to God and a lion/animal – Passive females – Heroine accepts her fate quickly – Religion – Marquis is placed in the role of God – Refers to the heroine as ‘my little nun’, pornography referred to as ‘prayer-books’ shows Marquis’ lack of religion – Bloody chamber as Hell – see setting – Supernatural – ‘as if the key itself were hurt, the bloody token stuck’ AO4 – contextual factors and how they af fect the text – Angela Carter was a feminist – Published in 1979 – after the sexual revolution of the 1960s ‘Carter flirts with elements of the Gothic in many of the tales’ – S. Roberts – Same for all texts The Courtship of Mr Lyon Quotes – ‘one white, perfect rose’ – ‘there was no living person in the hall’ – ‘a lion is a lion and a man is a man’ – ‘there was an air of exhaustion†¦ in the house’ – ‘her own image reflected there’ (in the Beast’s eyes) – ‘Fast as you can’ – ‘an attic, with a sloping roof’ – ‘the roses†¦were all dead’ – ‘as if, curious reversal, she frightened him’ Characters – Beauty – ‘looked as if she had been carved out of a single pearl’ ‘she smiled at herself with satisfaction’ â₠¬â€œ ‘Miss Lamb, spotless, sacrificial’ – Beast – ‘some kind of sadness in his agate eyes’ – ‘a man with an unkempt mane of hair’ – ‘he was so different from herself’ AO2 – language, form and structure and how they shape meaning – Language – Extensive imagery of snow symbolises Beauty’s purity – ‘white and unmarked as†¦ bridal satin’ – Personification of the house – ‘the chandelier tinkled†¦ as if emitting a pleased chuckle’ – ‘Pearl’ – pure, beautiful, valuable – Form – Reworked fairy tales – Carter called them ‘new stories’ not ‘versions’ Carter extracts ‘latent content’ – Short stories maximise the impact of Carter’s messages – Beauty and The Beast – both characters change, not just the Beast – rol e reversal of princess in the tower – Structure – ‘I hope he’ll be safe’ – no speech marks, highlighting Beauty’s lack of a voice AO3 – connections between texts and different interpretations – References to the modern world – ‘the snow brought down all the telephone wires’ (see BC, LOTHOL) – Fairy tale references – she reads ‘elegant French fairy tales’, ‘Fast as you can’ (see BC, EK, LOTHOL) Gothic Features – Weather/setting ‘Palladian house that seemed to hide itself shyly’ = ‘he forced himself to master his shyness’ – ‘Thin ghost of light on the verge of extinction’ – no signs of Spring at the Beast’s house – reflects what has happened to him – Bloody chamber = Beast’s attic – he is trapped and dying, claustrophobic setting – Roses die as the beast dies: â₠¬ËœThe roses†¦were all dead’ – Countryside = place of purity and femininity, town = masculine place of corruption – Foreshadowing – ‘she smiled at herself in mirrors a little too often’ – pride comes before a fall – Dominant males – no longer dominant ‘a cracked whisper of his former purr’ – ‘I am sick and I must die’ – Passive females – Objectification of women – she is called ‘Beauty’ but gets an identity at the end – ‘Mrs Lyon’ – Supernatural – Magic of the house – her father can call the garage even though the phone lines are down – ‘All the natural laws of the world were held in suspension here’ The Tiger’s Bride Quotes – ‘my father lost me to The Beast in cards’ – ‘I have lost my pearl’ – ‘the lamb must learn to run with the t igers’ Characters – Heroine – ‘always the pretty one’ – ‘Christmas rose’ – ‘no more than a king’s ransom’AO2 – language, form and structure and how they shape meaning – Language – description of â€Å"glossy, nut-brown curls† and â€Å"rosy cheeks† is repeated to highlight the similarities between the narrator and her â€Å"clockwork twin – Structure – Heroine is given a voice unlike Beauty in COML – objectification of women in a different way – Written in the past tense but changes occasionally to the present to suggest continuity The Erl King Quotes – ‘Erl-King will do you grievous harm’ – ‘the wood swallows you up’ – ‘the stark elders have an anorexic look’ – ‘everything in the wood is exactly as it seems’ ‘easy to lose yourself’ – ‘ What big eyes you have’ Characters – Erl-King – ‘an excellent housewife’ – ‘came alive from the desire of the woods’ – ‘tender butcher’ – ‘skin the rabbit, he says! ’ – ‘Eyes green as apples. Green as dead sea fruit’ AO2 – language, form and structure and how they shape meaning – Language – Oxymorons such as â€Å"the tender butcher† and â€Å"appalling succulence† highlight the narrator’s conflict – Isolated similes such as â€Å"green as dead sea fruit† add emphasis to the comparisons – Metaphor is used to link sex to drowning e. g. his ‘dress of water’ that ‘drenches’ her Structure – ‘Erl-King will do you grievous harm’ – one line paragraph to emphasise significance – Switches between tenses and points of view in order to disorient the reader, cre ating a Gothic sense of uncertainty, and reflecting the feelings of the protagonist AO3 – connections between texts and different interpretations – Fairy tale references – ‘What big eyes you have’ (see BC, EK) – Superstition – ‘he says the Devil spits on them at Michaelmas’ (see W, COW) – Aggressive language – ‘he could thrust me into the seed-bed’ (see BC) Gothic Features – Weather/setting Wood is personified and isolated – ‘the wood swallows you up’ – More fairy-tale than Gothic – Bloody Chamber = Erl-King’s dwelling – Idea of confinement – ‘vertical bars of a brass-coloured distillation of light’ look like bars of a prison/cage – Erl-King can tie ‘up the winds in his handkerchief’ – Dominant males – childlike, less predatory – Romantic hero, she falls in love with him – Pa ssive females – none, she is mature and purposeful – Supernatural – ‘magic lasso of inhuman music’ – He has a ‘bird call’ – Religion – ‘he says the Devil spits on them at Michaelmas’ The Snow ChildQuotes – ‘midwinter – ‘invincible, immaculate’ – ‘the Countess hated her’ – ‘a feather†¦a bloodstain†¦and the rose’ – ‘It bites! ’ – ‘the whole world was white’ – ‘a masculine fantasy’ – Cristina Bacchilega Characters – Snow Child – ‘as white as snow’ – ‘as black as that bird’s feather’ – ‘as red as blood’ – ‘the child of his desire’ – ‘high, black, shining boots with scarlet heels’ AO2 – language, form and structure and how they shape meaning – Language – Alliteration of ‘invicible, immaculate’ exaggerates the extremity of the weather – Rose is a symbol of femininity or the vagina Snow Child bleeds, symbolising menstruation – Bite symbolises the suffering that accompanies being female – childbirth, hymen breaking, menstruation – Form – Vignette – a small, literary sketch – Structure – Written in the 3rd person but from the perspective of the Count – ‘So the girl picks a rose; pricks her finger on the thorn; bleeds; screams; falls. ’ – isolated paragraph, one sentence, uses idea of ‘three’ AO3 – connections between texts and different interpretations Gothic Features – Weather/setting – Bloody Chamber = Snow Child’s vagina – ‘White’ setting and snow symbolises purity and virginity, Dominant males – Masculine control of female identity – Coun t = Marquis from BC – Creates both women – Countess cannot exist without a Count – Passive females – Countess belongs to Count – she is only a Countess because of him – Price of being the Countess – subservience and a loss of identity – Neither female can exist without the Count – he gives them their power – One must die for the other to survive – Literal objectification of women – Count undresses and dresses Countess as he pleases, creates Snow Child – Incestuous rape – she was not expected to receive pleasure in having sex, she was his sexual objectThe Lady of the House of Love Quotes – ‘Vous serez ma proie’ – ‘Too many roses’ – ‘Now you are at the place of annihilation’ – ‘Fee fie fo fum, I smell the blood of an Englishman’ – ‘A single kiss woke up the Sleeping Beauty in the Wood’ â₠¬â€œ ‘wisdom, death, dissolution’ – ‘chinoiserie escritoire’ – ‘this ornate and rotting place’ – ‘Can a bird†¦learn a new song? ’ – ‘the bicycle is the product of pure reason applied to motion’ Characters – Countess – ‘her beauty is an abnormality’ – ‘hunger always overcomes her’ – ‘white lace negligee stained a little with blood’ ‘the fangs and talons of a beast of prey’ – ‘a cave full of echoes’ – ‘the fragility of the skeleton of a moth’ – Soldier – ‘pentacle of his virginity’ – ‘youth, strength and blonde beauty’ – ‘symbol of rationality’ (bicycle) – ‘the trenches of France’ AO2 – language, form and structure and how they shape meaning – Language – Foreign wo rds are slipped into the narrative – allows reader to enter Countess’s bilingual mind e. g. ‘chinoiserie escritoire’ meaning Chinese-style desk/cabinet – Form – Reworked fairy tales – Carter called them ‘new stories’ not ‘versions’ Short stories maximise the impact of Carter’s messages – Structure – Broken up by inset couplets of thoughts, either fairy tale villains’ famous lines, or menacing French phrases, which suggest this is the inner voice of her predatory nature – increase ambiguity – Story is divided in two – first half is present tense, second half is past tense – more fairy-tale like AO3 – connections between texts and different interpretations – References to the modern world – ‘the trenches of France’ (see BC) – Humour – ‘you will be led by hand to the Countess’s larder’ (see PIB, COW) Gothic Features Weather/setting – ‘cracked mirrors’ – the Countess does not bear a reflection – ‘Too many roses’ – roses are beautiful and dangerous like her – Bird in the cage symbolises her entrapment in her vampiric body – ‘she likes to hear it announce how it cannot escape’ – Predatory females – ‘the fangs and talons of a beast of prey’ yet she evokes sympathy as she tries to change her fate – ‘Fee Fie Fo Fum’ places her in the role of the villain, ‘Sleeping Beauty’ places her in the role of the victim – Supernatural – Soldier does not believe in supernatural: ‘this lack of imagination gives heroism to the hero’ Foreshadowing – The Tarot cards change for the first time ever The Werewolf Quotes – ‘they have cold weather, they have cold hearts’ – ‘supernumerary nippl e’ – ‘Harsh, brief, poor lives. ’ – ‘she prospered’ – ‘they stone her to death’ Characters – Child – ‘good child’ – ‘coat of sheepskin’ – Wolf – ‘grizzled chops’ – ‘less brave than they seem’ AO2 – language, form and structure and how they shape meaning – Language – Very unemotional in places – ‘they stone her to death’, ‘she prospered’ – detached narrator – Tricolons emphasise repetition and simplicity of their lives – ‘harsh, brief, poor lives’ Extensive description of superstitions highlights their importance – also seen in Company of Wolves – Pathetic fallacy – ‘cold weather†¦ cold hearts’ – setting mirrors personalities of inhabitants – Very simple language – fairy tale lang uage, childlike, simple to understand – Structure – Isolated paragraph with one sentence – ‘Winter and cold weather. ’ AO3 – connections between texts and different interpretations – Superstition – ‘wreaths of garlic on the doors’ (see COW, EK, LOHOL) Gothic Features – Weather/setting – Pathetic fallacy – Supernatural – Superstitions – wolves, witches, devil – Foreshadowing Descriptions of superstitions at the beginning The Company of Wolves Quotes – ‘you are always in danger in the forest’ – ‘a man who vanished clear away on her wedding night’ – ‘the forest closed upon her like a pair of jaws’ – ‘they are grey as famine’ – ‘you will suffer’ – ‘we try and try’ – ‘blood on snow’ – ‘Quack, quack! went the duck’ Characte rs – Heroine – ‘she is an unbroken egg’ – ‘she knew she was nobody’s meat’ – ‘she has just started her woman’s bleeding’ – ‘so pretty’ – Wolf – ‘the tender wolf’ – ‘fear and flee the wolf’ AO2 – language, form and structure and how they shape meaning Language – Narrator addresses the reader – ‘you are always in danger’, ‘you will suffer’, ‘we try and try’ – Written as if to recreate the oral tradition of fairytales – ‘Quack, quack! went the duck’ – ‘hurl your Bible at him’, ‘call on Christ†¦but it won’t do you any good’, It is Christmas Day, the werewolves' birthday’, ‘canticles of the wolves’ – undermining religion (canticle = short song/hymn) – ‘The forest closed on her like a pair of jaws’ – isolated simile, only sentence in paragraph, highlight isolated setting – typically Gothic (see ‘Dead as his wives’ simile in BC = isolated) Fairytale – ‘What big eyes you have’, ‘All the better to see you with’ (‘All the better to see you’ = BC) – Metaphor – ‘night and forest has come into the kitchen’ – Structure – Lengthy introduction highlights importance of superstitions and wolves in the lives of the people – Opens reader’s mind to the supernatural – it is common here – No speech marks increase the strangeness of the story – also, there would be no speech marks in oral tradition AO3 – connections between texts and different interpretations – Fairy tale motifs (see BC, EK, LOTHOL) – Personification of the woods (see EK) Gothic Features Religion – ‘you must run as i f the Devil were after you’ – Weather/setting – Personification of the forest ‘like a pair of jaws’, also simile, similar to EK – Night time setting – typically Gothic, increases ambiguity – Dominant male – wolf – Non-passive female – she laughs at him, ‘she knew she was nobody’s meat’ Wolf Alice Quotes – ‘the corners of his bloody chamber’ – room of clothes where Duke’s prey live – ‘it showed us what we could have been’ – ‘her pace is not our pace’ – ‘the wise child who leads them all’ Characters – Duke – ‘his eyes see only appetite’ – ‘he is white as leprosy’ Wolf Alice – ‘not wolf or woman’ AO2 – language, form and structure and how they shape meaning – Language – Carter quickly allies herself with the read er and separates Wolf-Alice – ‘her pace is not our pace’ – Religious reference to Garden of Eden – ‘wise child who leads them all’ – Duke is ‘cast into the role of the corpse-eater’ – not the whole truth? – ‘She could not put her finger on’ – finger in italics, reminds us she is human AO3 – connections between texts and different interpretations Gothic Features – Weather/setting – Duke’s castle – Gothic reinterpretation of the fairytale castle ‘Moony metamorphic weather’ – setting mirrors Duke – Presence of the moon – time, menstruation, Gothic night time, when the Duke is awake – Graveyard settings – Dominant males – Duke – not a real man, doesn’t cast a reflection, doesn’t have a soul, does have physical strength, doesn’t talk to her – ‘separate solitud es’ – Passive females – Wolf-Alice is a strong female, physically, and becomes intellectually stronger throughout the story – Supernatural – Duke is a werewolf/vampire – Superstition/religion – ‘Young husband’ fills a church with silver bullets, holy water, ‘bells, books and candles’

Congressional Party Leaders essays

Congressional Party Leaders essays In the evolution of the American political system and its Congress, the role party leaders have played has been important and at the same time relatively inconsistent. There have been several events that have come about since the creation of the United States Congress that have led to the inability of party leaders to maintain and utilize their political powers effectively. I will start by examining several events through the course of history that helped set up this these shifts in power over the last half century. We will also need to understand the roles that Congressional committees played in the evolution of this power and their effect on party leaders. Next, an explanation of why political parties became weak for time period in the middle of the 20th century will set up the basis of reasoning for the question why political party leaders in Congress became increasingly strong in the 1990s? Finally, breaking down the party leadership structure and analyzing two congressional leadership theories will ultimately help present a normative assessment of the amount power that should be invested in party leaders. When discussing the reasons for change in the powers of party leaders over the past half century, in order to fully understand the reasons for these changes it is important to be aware of a few historic events that led to this complicated up and down shift of power given to party leaders. As the Constitution of the United States of America was originally written, they vested absolutely no powers in party leaders. The reasoning for this is simply because their were no political parties, the founding fathers believed the development of political parties would be bad for the United States democracy. As the development of political parties came about in the United States, so did a beauracracy in Congress. The first notable shift in power came in 1910 when a revolt was sparked amongst the Republican party aga...